Mahomet jako centralna postać wyobrażonej opery w opowiadaniu „Gambara” Balzaca

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dc.contributor.authorGamrat, Małgorzata
dc.date.accessioned2023-02-06T12:19:10Z
dc.date.available2023-02-06T12:19:10Z
dc.date.issued2022
dc.description.abstractThe article discusses the fragment of Balzac’s short story Gambara in which the titular character discusses his opera. The focal point of this article is a character from the opera written by Paolo Gambara – Muhammad. The elements used to build the character (character traits, transformations, biography, relationships with his environment, actions, emotions etc.) were analysed in the context of the musical means used to present them and of the entire short story. The background of this analysis consists of a short overview of the philosophical ideas about music and science expressed by Gambara in order to better present the sources of his ideas and the musical solutions that he used.pl
dc.identifier.citation"Poznańskie Studia Polonistyczne. Seria Literacka", 2022, nr 42, s. 97-119pl
dc.identifier.doi10.14746/pspsl.2022.42.6
dc.identifier.issn1233-8680
dc.identifier.urihttp://hdl.handle.net/20.500.12153/4243
dc.language.isoplpl
dc.publisherUniwersytet im. Adama Mickiewicza w Poznaniu, Instytut Filologii Polskiejpl
dc.rightsUznanie autorstwa-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nd/3.0/pl/*
dc.subjectBalzacpl
dc.subjectGambarapl
dc.subjectcharacter in operapl
dc.subjectmusic and literaturepl
dc.subjectphilosophy of musicpl
dc.titleMahomet jako centralna postać wyobrażonej opery w opowiadaniu „Gambara” Balzacapl
dc.title.alternativeMuhammad as the Central Character of the Imagined Opera in Balzac’s Short Story “Gambara”pl
dc.typeinfo:eu-repo/semantics/articlepl
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