Mahomet jako centralna postać wyobrażonej opery w opowiadaniu „Gambara” Balzaca
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Date
2022
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Uniwersytet im. Adama Mickiewicza w Poznaniu, Instytut Filologii Polskiej
Abstract
The article discusses the fragment of Balzac’s short story Gambara in which the titular character discusses his opera. The focal point of this article is a character from the opera written by Paolo Gambara – Muhammad. The elements used to build the character (character traits, transformations, biography, relationships with his environment, actions, emotions etc.) were analysed in the context of the musical means used to present them and of the entire short story. The background of this analysis consists of a short overview of the philosophical ideas about music and science expressed by Gambara in order to better present the sources of his ideas and the musical solutions that he used.
Description
Keywords
Balzac, Gambara, character in opera, music and literature, philosophy of music
Citation
"Poznańskie Studia Polonistyczne. Seria Literacka", 2022, nr 42, s. 97-119