Renesansowe fundacje Branickich: w kręgu działalności warsztatów pińczowskich

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dc.contributor.authorNawrocki, Rafał
dc.date.accessioned2023-05-19T08:19:33Z
dc.date.available2023-05-19T08:19:33Z
dc.date.issued2006
dc.description.abstractIn the second half of the sixteenth and the beginning of the seventeenth century the Branickis of the arms-bearing Gryfs belonged to the moderately rich nobility. The family social status gradually rose, as the family members held district and court offices. In this context a series of works of art were made, founded by the representatives of the family. Their main initiator was Jan Branicki, the Cracow master of the hunt and starost of Niepołomice. He employed artists from the quarry in Pińczów. About 1595 he employed the workshop of Santi Gucci to build a tomb chapel for his parents. The building erected in Niepołomice was regarded to be the most splendid foundation. The mausoleum in Niepołomice was not matched by a court in Branice reconstructed by Jan in the beginning of the seventeenth century. A richly decorated mantelpiece and portal from the court were made in the same artistic circle as the chapel. Now the tomb of Kasper Branicki in Tarnów (erected between 1606 and 1611) was founded by Jan and Stanislaw, brothers of the dead person. This work is poor and completed without care to details. Like all the above-mentioned works it bears the stylistic traits of the Pińczów milieu. The foundations in question are a good evidence that the family was ambitious and its position important. Jan Branicki imitated the building activity of great founders, translating it into a smaller size. The varied level of the works of art means that often the non-aesthetic factors were decisive in their shape.pl
dc.identifier.citationStudia nad sztuką renesansu i baroku, T. VII: Fundator i dzieło w sztuce nowożytnej, cz. 2, red. J. Lileyko, I. Rolska-Boruch, Lublin 2006, s. 125-141pl
dc.identifier.isbn83-7306-312-9
dc.identifier.urihttp://hdl.handle.net/20.500.12153/5087
dc.language.isoplpl
dc.publisherTowarzystwo Naukowe KULpl
dc.relation.ispartofseriesPrace Wydziału Historyczno-Filologicznego;126
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectgrobowe kaplice kopułowepl
dc.subjectfundacje Branickichpl
dc.subjectNiepołomice (woj. małopolskie, pow. wielicki)pl
dc.subjectBranice (Kraków, część miasta)pl
dc.subjectTarnówpl
dc.subjectwarsztaty pińczowskiepl
dc.subjectsztuka sepulkralnapl
dc.subjectarchitektura rezydencjonalnapl
dc.subjectsztuka renesansowapl
dc.subjectsztuka manierystycznapl
dc.subjectsztuka polskapl
dc.subjectkamieniarka renesansowapl
dc.subjectdomed tomb chapelspl
dc.subjectthe Branickis' foundationspl
dc.subjectPińczów stonemason's workshopspl
dc.subjectsepulchral artpl
dc.subjectresidential architecturepl
dc.subjectrenaissance artpl
dc.subjectmannerist artpl
dc.subjectPolish artpl
dc.titleRenesansowe fundacje Branickich: w kręgu działalności warsztatów pińczowskichpl
dc.title.alternativeThe Branickis’ renaissance buildings on the activity of the Pińczów workshopspl
dc.typeinfo:eu-repo/semantics/articlepl
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