„Lélio” de Hector Berlioz et „Le contrebandier” de George Sand, ou une solitude d’un artiste (héros) romantique portant le masque du bandit
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Date
2019
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Wydawnictwo Uniwersytetu Opolskiego
Abstract
The notions of solitude and a bandit were very popular as a literary theme during Romanticism. Those two literary topoi were connected with the image of a romantic hero, and successively a romantic artist. This paper analyzes two very different works: a monodrama Lélio by Hector Berlioz and the short story Le contrebandier by George Sand, where a bandit is presented as a representation of a romantic artist.
Description
Keywords
solitude, romantic artist, romantic hero, romantic bandit, George Sand, Hector Berlioz, Lélio, Le contrebandier
Citation
La solitude dans la littérature française et francophone, red. K. Modrzejewska, Opole 2019, s. 73-86
ISBN
978-83-7395-871-5