Wyobraźnia eschatologiczna. Dialog z antyczną tradycją w I księdze poematu "Crisias" Hilariona z Werony
Loading...
Date
2021
Authors
Journal Title
Journal ISSN
Volume Title
Publisher
Wydawnictwo KUL
Abstract
W artykule podjęto próbę filologicznej analizy i interpretacji I księgi eposu Crisias Hilariona z Werony. Wskazano liczne antyczne źródła zarówno z mitologii, jak i historii, które zostały wykorzystane przez pisarza w tworzeniu eschatologicznego imaginarium. Postawiono tezę o zamierzonym przez Hilariona z Werony intertekstualnym charakterze eposu jako swojego rodzaju wyzwaniu dla odbiorcy – kardynała Bessariona. Hilarion z Werony jest mało znanym pisarzem włoskiego quattrocenta, dlatego też w artykule przybliżono środowisko intelektualne, w którym tworzył autor Krysiady. Epos jest zupełnie nieznany w Polsce, prezentowany artykuł może stanowić prolegomena do jego lektury.
In this article an attempt is made to analyze and interpret the first book of the epos Crisias, by Hilarion of Verona. The purpose of the article is to identify and illuminate the ancient literary, historical and mythological sources used by that author to fashion an eschatological imagination. According to the thesis presented in this article, contextual references in Crisias constituted a path of communication between the writer, Hilarion of Verona, and the reader, Bessarion. Hilarion of Verona is an otherwise unknown writer of the Italian quattrocento, therefore a presentation of the intellectual environment within which that author operated is a necessary part of our analysis. The reflection offered in this paper can be treated as a prolegomena to further research, since the epos Crisias has never before been the focus of research within Polish scholarship.
In this article an attempt is made to analyze and interpret the first book of the epos Crisias, by Hilarion of Verona. The purpose of the article is to identify and illuminate the ancient literary, historical and mythological sources used by that author to fashion an eschatological imagination. According to the thesis presented in this article, contextual references in Crisias constituted a path of communication between the writer, Hilarion of Verona, and the reader, Bessarion. Hilarion of Verona is an otherwise unknown writer of the Italian quattrocento, therefore a presentation of the intellectual environment within which that author operated is a necessary part of our analysis. The reflection offered in this paper can be treated as a prolegomena to further research, since the epos Crisias has never before been the focus of research within Polish scholarship.
Description
Keywords
eschatologia, Crisias, Hilarion z Verony, mitologia, tradycja antyczna, Eschatology, Crisias, Hilarion of Verona, mythology, ancient tradition
Citation
"Verbum Vitae", 2021, T. 39, nr 3, s. 1075-1092