La visualité exacerbée chez Georges Bataille (et Luis Buñuel) : l’image de l’œuf et ses implications obsessionnelles dans Histoire de l’œil (1928) et Un Chien andalou (1929)

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dc.contributor.authorNowak-Baranowska, Dorota
dc.date.accessioned2022-06-08T12:23:17Z
dc.date.available2022-06-08T12:23:17Z
dc.date.issued2015
dc.description.abstractThe aim of the study is to analyze Bataille’s Story of the Eye (1928) and Buñuel’s An Andalusian Dog (1929) as accurate examples of artworks that were broadly inspired by images from subconsciousness. Both authors are particularly fascinated by the ‘eye’ which becomes an object of obsession in their output. The ocular reference is however, often replaced with the image of the egg, by the process of metonymy that has its origin in Bataille’s imagination and early compulsions. As such, both eye and egg, initially being almost divine, gradually become deformed, abject and, ultimately, annihilated. The image of eye and egg, symbolically the birth of the universe, becomes paradoxal in the textual layer, as it’s constantly being deformed by obsessive thoughts from the past.en
dc.identifier.citation"Quêtes littéraires" 2015, nº 5, s. 119-127pl
dc.identifier.doi10.31743/ql.244
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3126
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectBataillepl
dc.subjectBuñuelpl
dc.subjecteye-eggpl
dc.subjectobsessionpl
dc.subjectvisualitypl
dc.titleLa visualité exacerbée chez Georges Bataille (et Luis Buñuel) : l’image de l’œuf et ses implications obsessionnelles dans Histoire de l’œil (1928) et Un Chien andalou (1929)fr
dc.title.alternativeExuberant visuality in the works of Georges Bataille (and Luis Buñuel): the case of 'eye-egg' and its obsessive implicationsen
dc.typeinfo:eu-repo/semantics/articlepl
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Quêtes littéraires, 2015, No 5: De l'image à l'imaginaire