Un Dieu sadique : le rôle de l’image blasphématoire de Dieu dans Dolce agonia de Nancy Huston

dc.contributor.authorFront, Izabela
dc.date.accessioned2022-06-10T13:28:58Z
dc.date.available2022-06-10T13:28:58Z
dc.date.issued2013
dc.description.abstractThe present article seeks to analyze the way in which the blasphemous figure of God in Dolce agonia by Nancy Huston allows the author to describe the sacred element in human life, seen as deprived of transcendental character. This is possible thanks to the three aspects of the text dependent on the type of God’s figure, which are: the contrast between passages marked by the cynical God’s voice and passages focused on man’s life filled with suffering; the tone and the appropriation of time variations and, finally, the double character of God who, at the same time, is indifferent to man’s lot while touched by his capacity of love.pl
dc.identifier.citation"Quêtes littéraires" 2013, nº 3, s. 160-166pl
dc.identifier.doi10.31743/ql.4617
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3174
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectNancy Hustonpl
dc.subjectDolce agoniapl
dc.subjectGodpl
dc.subjectblasphemypl
dc.subjectsacredpl
dc.titleUn Dieu sadique : le rôle de l’image blasphématoire de Dieu dans Dolce agonia de Nancy Hustonpl
dc.title.alternativeSadistic God: Function of the Blasphemous Image of God in Dolce Agonia by Nancy Hustonpl
dc.typeinfo:eu-repo/semantics/articlepl
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