Kilka uwag o życiu i twórczości malarskiej Bohdana Kelles-Krauzego

Simple item page
dc.contributor.authorBłotnicka-Mazur, Elżbieta
dc.date.accessioned2022-08-16T11:37:23Z
dc.date.available2022-08-16T11:37:23Z
dc.date.issued2007
dc.description.abstractArtykuł prezentuje najważniejsze fakty z życia Bohdana Kelles-Krauzego (1885-1945), zapomnianego przez badaczy architekta i malarza, ważnej postaci w środowisku artystycznym międzywojennego Lublina. Autorka wyróżnia najważniejsze etapy stylistyczne jego twórczości malarskiej, która była jego wielką pasją, uprawianą jednak na uboczu zawodowych obowiązków. To pierwsza publikacja autorki uwzględniająca wyniki jej badań nad monografią Krauzego, w ramach przygotowywanej rozprawy doktorskiej.pl
dc.description.abstractBohdan Kelles-Krauze (1885-1945) was an architect by profession, but a painter by avocation and that from his early age onward. This artist was an extremely important figure in the artistic milieu of Lublin in the interwar period. He settled in Lublin together with his family in 1921. Today he is forgotten undeservedly and his name is well-known only to a small group of scholars. He graduated from Lviv Polytechnic in 1910, and then went on artistic journeys to Munich and Paris. Several times he changed his jobs until he finally permanently settled in Lublin. There he was employed at the Regional Administration of Public Works at the post of regional architect, where he stayed until his premature death in 1945. He was an author of several dozen buildings in Lublin and in the Lublin region. They are different with regard to style and function. Then his designs gradually passed from national forms to functionalism. Krauze's passion outside his job was painting. Many of his works have been preserved to date. They are composed of various paintings, and at the same time they are coherent in term of their workshop. Despite concrete transformations with regard to their form, especially with regard to colour and texture, subtle references to the works of home painters and those from the circle of French post-Impressionism, his style is clear. Against the backdrop of Lublin painters who advocated traditional stylistics he appeared as a modern artist. In his works he combined two apparently incongruent elements: the sensitive painter Krauze always maintained the clear logic of Krauze architect with solid drawing, and real form built with an elaborated colour.pl
dc.identifier.citation„Roczniki Humanistyczne” 2007, Vol. 55, z. 4, s. 245-277pl
dc.identifier.issn0035-7707
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3441
dc.language.isoplpl
dc.publisherTowarzystwo Naukowe KUL; Katolicki Uniwersytet Lubelski Jana Pawła IIpl
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectsztuka Lublina i Lubelszczyznypl
dc.subjectthe art of Lublin and the Lublin regionpl
dc.subjectmalarstwo okresu międzywojniapl
dc.subjectpainting of the inter-war periodpl
dc.subjectarchitektura - modernizmpl
dc.subjectarchitecture - modernismpl
dc.subjectarchitektura - funkcjonalizmpl
dc.subjectarchitecture - functionalismpl
dc.titleKilka uwag o życiu i twórczości malarskiej Bohdana Kelles-Krauzegopl
dc.title.alternativeSome Remarks on the Life and Painting of Bohdan Kelles-Krauzepl
dc.typeinfo:eu-repo/semantics/articlepl
Files
Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Blotnicka-Mazur_Kilka_uwag_o_zyciu_i_tworczosci_malarskiej_Bohdana_Kelles_Krauzego.pdf
Size:
2.35 MB
Format:
Adobe Portable Document Format
Description:
Download

License bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
license.txt
Size:
2.63 KB
Format:
Item-specific license agreed upon to submission
Description:
Download

Collections
Artykuły naukowe (WNH)