Les croisements romantiques des sens: Liszt lecteur de Senancour

Gamrat, Małgorzata

Les croisements romantiques des sens: Liszt lecteur de Senancour

dc.contributor.author	Gamrat, Małgorzata
dc.date.accessioned	2023-01-13T08:40:51Z
dc.date.available	2023-01-13T08:40:51Z
dc.date.issued	2014
dc.description.abstract	In the following paper I present certain aesthetic ideas from one of the best-known Senancour’s novel – Obermann (1804) which was one of the most important lectures of Franz Liszt during his formative years. Senancour appears in Liszt’s correspondence both as an admired person and as a writer. Liszt often quoted and commented on fragments of Obermann in his letters and writings, and in his musical works. The latter one is most interesting because Liszt created a new genre of music – “a poetic music” which is inspired by poetry and preceded by a literary quotation. I show Senancour’s inﬂuence on Liszt’s writings, and particularly on his music on the example of Vallée d’Obermann and Le mal du pays.	pl
dc.identifier.citation	„Orbis Linguarum”, 2014, Vol. 41, s. 215-226	pl
dc.identifier.issn	1426-7241
dc.identifier.uri	http://hdl.handle.net/20.500.12153/4027
dc.language.iso	fr	pl
dc.publisher	Oficyna Wydawnicza Atut, Wrocławskie Wydawnictwo Oświatowe	pl
dc.rights	Uznanie autorstwa 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by/3.0/pl/	*
dc.subject	Senancour	pl
dc.subject	Obermann	pl
dc.subject	Liszt	pl
dc.subject	Vallée d’Obermann	pl
dc.subject	Le mal du pays	pl
dc.subject	musique poétique	pl
dc.subject	poetic music	pl
dc.title	Les croisements romantiques des sens: Liszt lecteur de Senancour	pl
dc.title.alternative	Romantic Sense Crossings: Liszt Reader of Senancour	pl
dc.type	info:eu-repo/semantics/article	pl