Mallarmé, Valéry et le silence (dés)incarné

Opiela-Mrozik, Anna

Mallarmé, Valéry et le silence (dés)incarné

dc.contributor.author	Opiela-Mrozik, Anna
dc.date.accessioned	2020-02-18T11:40:06Z
dc.date.available	2020-02-18T11:40:06Z
dc.date.issued	2017
dc.description.abstract	This article analyses the essence and roles of silence in the œuvres of Mallarmé and Valéry. The Mallarmé’s musicality gradually gives way to the silent music of words; poetry is becoming spatial and takes the form of the music score. In the poem Coup de dés it gets up to the incarnation of silence which shows the ideal of the Mallarmé’s musicality; the ideal in which an eye serves to listen. The theme of music and silence reappears in the Valery’s œuvre. In spite of the connection between music and architecture, which can incarnate silence, poetry uses the subjectivism of music and the ambiguity of silence to achieve the ideal of pure art which is hidden in the artist’s interior. Silence as nothingness is the starting point for poetry whereas non-incarnated silence can express the mystical sense of poetry.	pl
dc.identifier.citation	"Quêtes littéraires" 2017, nº 7, s. 82-92	pl
dc.identifier.doi	https://doi.org/10.31743/ql.160
dc.identifier.issn	2084-8099
dc.identifier.uri	http://hdl.handle.net/20.500.12153/826
dc.language.iso	fr	pl
dc.rights	Uznanie autorstwa 4.0 Międzynarodowe
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subject	music	pl
dc.subject	silence	pl
dc.subject	absence	pl
dc.subject	poetry	pl
dc.title	Mallarmé, Valéry et le silence (dés)incarné	pl
dc.title.alternative	Mallarmé, Valéry and (non-)incarnated silence	pl
dc.type	info:eu-repo/semantics/article	pl