Décomposition et recomposition : présence et absence des corps noyés dans Lélia (1833) de George Sand et L’Éducation sentimentale (1845) de Gustave Flaubert

dc.contributor.authorCarrico, Abbey
dc.date.accessioned2022-06-13T13:03:07Z
dc.date.available2022-06-13T13:03:07Z
dc.date.issued2012
dc.description.abstractIn Romantic literature, water often serves as a symbol of death and of the dissolution of the individual, representing a passage from presence to absence. In order to show this transformation, writers frequently rely on scenes of drowning. However, in these depictions drowning does not always lead to an absence, but rather, it reveals a physical presence: that of the cadavers themselves. Through a detailed analysis of two romantic texts whose treatment of drowning sheds light on the relationship between absence and presence, Lélia (1833) by George Sand and L’Éducation sentimentale (1845) by Gustave Flaubert, this study engages the following questions on thematic and structural levels: Does drowning undeniably bring about an annihilation of the individual? Are the boundaries between absence and presence, disappearing and (re)appearing, decomposition and (re)composition, clearly defined? Or is there another interpretation? One that is specific to textual portrayals of immersion? From an eco-critical perspective, it is clear that water represents an ideal space to portray the tension between life and death. As presented by Sand and Flaubert, drowned bodies inspire images of life rather than death and therefore cause the reader to question these boundaries on an imaginative and symbolic level.pl
dc.identifier.citation"Quêtes littéraires" 2012, nº 2, s. 22-32pl
dc.identifier.doi10.31743/ql.4624
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3207
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectRomanticismpl
dc.subjecteco-criticismpl
dc.subjectdrowningpl
dc.subjectwaterpl
dc.subjectdecompositionpl
dc.titleDécomposition et recomposition : présence et absence des corps noyés dans Lélia (1833) de George Sand et L’Éducation sentimentale (1845) de Gustave Flaubertpl
dc.title.alternativeDecomposition and Re-composition: The Presence and Absence of Drowned Bodies in Lélia by George Sand and L’Éducation sentimentale by Gustave Flaubertpl
dc.typeinfo:eu-repo/semantics/articlepl
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