Entre dentelle et fragment: évolution de la tactique du vide rimbaldienne de la Saison aux Illuminations

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dc.contributor.authorHammoudi, Rafika
dc.date.accessioned2020-02-14T12:25:56Z
dc.date.available2020-02-14T12:25:56Z
dc.date.issued2017
dc.description.abstractA Season in Hell and Illuminations both of these collections are considered as masterpieces of Rimbaud’s poetry. Whereas A Season in Hell is presented as his artistic testimony, Illuminations, on the other hand, is considered by critics as an abstruse writing, an enigma. Acknowledging critical scholarship on this topic, as well as inherent differences of both collections, this article will show that a link could be found between these two works. This thread, which creates what we would like to call Rimbaud’s embroidery, was created by himself through silence and words. That is this will of Rimbaud for both works and the readers that we will discuss here, a strategy that we have named: Tactic of Emptiness.pl
dc.identifier.citation"Quêtes littéraires" 2017, nº 7, s. 51-60pl
dc.identifier.doihttps://doi.org/10.31743/ql.157
dc.identifier.issn2084-8099
dc.identifier.urihttp://hdl.handle.net/20.500.12153/821
dc.language.isofrpl
dc.rightsUznanie autorstwa 4.0 Międzynarodowe
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subjectArthur Rimbaudpl
dc.subjectFrench poetrypl
dc.subject19th century French literaturepl
dc.subjectA Season in Hell, Illuminationspl
dc.subjecttactic of emptinesspl
dc.titleEntre dentelle et fragment: évolution de la tactique du vide rimbaldienne de la Saison aux Illuminationspl
dc.title.alternativeBetween Lace and Fragment: an evolution of Rimbaud’s Tactic of Emptiness from A Season in Hell to Illuminationspl
dc.typeinfo:eu-repo/semantics/articlepl
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Quêtes littéraires, 2017, No 7: Le silence en mots, les mots en silence