Miroir en cuivre et plaque daguerrienne : autour de Salammbô de Gustave Flaubert

dc.contributor.authorKocik, Agnieszka
dc.date.accessioned2022-06-08T12:18:28Z
dc.date.available2022-06-08T12:18:28Z
dc.date.issued2015
dc.description.abstractThe paper brings a motif of Salammbô’s preparations undertaken prior encountering Mathô. The scene becomes a motive for analysis of the paradigm of relation between a copper mirror and a daguerreotype plate. Both artefacts are made of the same matter. Being tools for discovering reality and outpouring into an imaginary world at the same time, both provide a special dimension to the visual experience. Finally, both are epistemic metaphors. Since second half of the 19th century, copper finds a new place in the mythology of the industrial object. The vast presence of copper in Flaubert’s Carthage impacts historical and oriental picturesqueness. Does Carthage resemble the legendary City of Copper?pl
dc.identifier.citation"Quêtes littéraires" 2015, nº 5, s. 55-64pl
dc.identifier.doi10.31743/ql.238
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3120
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectcopper mirrorpl
dc.subjectdaguerrotypepl
dc.subjectepistemic metaphorpl
dc.subjectSalammbôpl
dc.subjectthe City of Copperpl
dc.titleMiroir en cuivre et plaque daguerrienne : autour de Salammbô de Gustave Flaubertpl
dc.title.alternativeCopper mirror and daguerreotype plate: around Gustave Flaubert’s Salammbôpl
dc.typeinfo:eu-repo/semantics/articlepl
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