Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12153/830
Title: Les silences dans la dramaturgie giralducienne
Other Titles: The silences in Giraudoux’ dramaturgy
Authors: Bombard, Françoise
Keywords: game; mimesis; silence; unsaid; unspeakable
Issue Date: 2017
Citation: "Quêtes littéraires" 2017, nº 7, s. 123-131
Abstract: Technical and rhetorical devices used by Giraudoux to indicate silence vary during its dramatic production. Silences have to do with relationships of the characters, both emotionally and dialogal, and are sometimes loaded the unspoken or unspeakable. By their relationship to the word and to the game, they are at the heart of a dramaturgy that oscillates between mimesis and rupture. And certain silences are like the limit assigned to the power of words in a theater yet claimed as literary.
URI: http://hdl.handle.net/20.500.12153/830
DOI: https://doi.org/10.31743/ql.165
ISSN: 2084-8099
Appears in Collections:Quêtes littéraires, 2017, No 7: Le silence en mots, les mots en silence

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