Les silences dans la dramaturgie giralducienne

dc.contributor.author	Bombard, Françoise
dc.date.accessioned	2020-02-20T09:31:56Z
dc.date.available	2020-02-20T09:31:56Z
dc.date.issued	2017
dc.description.abstract	Technical and rhetorical devices used by Giraudoux to indicate silence vary during its dramatic production. Silences have to do with relationships of the characters, both emotionally and dialogal, and are sometimes loaded the unspoken or unspeakable. By their relationship to the word and to the game, they are at the heart of a dramaturgy that oscillates between mimesis and rupture. And certain silences are like the limit assigned to the power of words in a theater yet claimed as literary.	pl
dc.identifier.citation	"Quêtes littéraires" 2017, nº 7, s. 123-131	pl
dc.identifier.doi	https://doi.org/10.31743/ql.165
dc.identifier.issn	2084-8099
dc.identifier.uri	http://hdl.handle.net/20.500.12153/830
dc.language.iso	fr	pl
dc.rights	Uznanie autorstwa 4.0 Międzynarodowe
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subject	game	pl
dc.subject	mimesis	pl
dc.subject	silence	pl
dc.subject	unsaid	pl
dc.subject	unspeakable	pl
dc.title	Les silences dans la dramaturgie giralducienne	pl
dc.title.alternative	The silences in Giraudoux’ dramaturgy	pl
dc.type	info:eu-repo/semantics/article	pl