Officium gratiarum actionis pro victoria ex turcis obtenta zachowane w antyfonarzach rodziny Piotrkowczyków (cz. II – melodie)
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Date
2018
Authors
Journal Title
Journal ISSN
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Publisher
Towarzystwo Naukowe KUL, Katolicki Uniwersytet Lubelski Jana Pawła II
Abstract
Melodie "Officium gratiarum actionis pro victoria ex Turcis obtenta anno 1621" opublikowano w ostatniej edycji tzw. antyfonarza Piotrkowczyka (1645), nie wiadomo, kto jest ich autorem. Kompozycje (12 antyfon, 2 responsoria, 1 hymn) nie są jednolite stylistycznie. W grupie 15. melodii odnajdujemy elementy klasycznego chorału gregoriańskiego, stylu neogreriańskiego oraz stylu pseudogregoriańskiego. Całość odpowiada estetyce epoki późnego średniowiecza i kończy etap polskiej twórczości monodycznej do łacińskich tekstów "proprium sanctorum".
The melodies were published in the last edition of the antiphonaries of the Piotrkowczyk family (1645). The author is unknown. The compositions (12 antiphons, 2 responsories, 1 hymn) are not stylistically uniform, which is not strange considering the fact that artists living in the Baroque period combined the heritage of the several centuries in which the liturgical singing of the Catholic Church had developed. They also remained under the influence of the achievements of polyphonic singing. In the collection of 15 melodies we can find elements of Gregorian chant, the neo-Gregorian style and the pseudo-Gregorian style. The entire collection is consistent with the aesthetics of the late Middle Ages and concludes the epoch of Polish monody to the Latin texts in "proprium sanctorum".
The melodies were published in the last edition of the antiphonaries of the Piotrkowczyk family (1645). The author is unknown. The compositions (12 antiphons, 2 responsories, 1 hymn) are not stylistically uniform, which is not strange considering the fact that artists living in the Baroque period combined the heritage of the several centuries in which the liturgical singing of the Catholic Church had developed. They also remained under the influence of the achievements of polyphonic singing. In the collection of 15 melodies we can find elements of Gregorian chant, the neo-Gregorian style and the pseudo-Gregorian style. The entire collection is consistent with the aesthetics of the late Middle Ages and concludes the epoch of Polish monody to the Latin texts in "proprium sanctorum".
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Keywords
wojna chocimska, oficjum dziękczynne, chorał piotrkowski, chorał gregoriański, liturgia, historia, historia muzyki, the Chocim War, Officium divinum, Gregorian chant, church music, liturgical monody
Citation
"Roczniki Teologiczne", 2018, T. 65, z. 13, s. 45-55