Z terminologii badań nad polską tradycją liturgiczno-muzyczną
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Date
2014
Authors
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Publisher
Wydawnictwo Muzyczne Polihymnia, Instytut Muzykologii KUL
Abstract
The term “the Polish tradition” does not have to mean that the rituals are performed in the Polish language. Some of the customs and rituals originated in the west of Europe and became so coalescent with the religious life of Polish people that we can easily call them Polish. The term “custom” is broader than “ritual”. There is one custom; rituals can differ from one another. The superior category for them is “tradition”. It has two parts: subject (what is being preached) and executive (how it is preached). A tradition consists of customs practised by means of rituals, the details of which might differ from one another. Polish liturgical and musical books fall into that category. Having examined the chosen groups we stated that they represent one liturgical and musical tradition which lasted from the beginning of Christianity in Poland to the first half of the 20th Century. Developed in the Middle Ages, the tradition was preserved in Piotrkowczyk’s prints (17th Century) and then adopted/taken by the editors of Cantionale Ecclesiasticum (1822-1954). The tradition was abruptly interrupted after the Second Vatican Council (1962-1965).
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Keywords
tradycja muzyczna, tradycja liturgiczna, polska tradycja, Musical tradition, liturgical tradition, polish tradition
Citation
"Annales Lublinenses pro Musica Sacra", 2014, nr 5, s. 27-35