Habent sua fata libelli. Losy dzieła "De cardinalibus operibus Christi"
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Date
2021
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Wydawnictwo KUL
Abstract
Artykuł stanowi próbę rekonstrukcji losów dzieła De cardinalibus operibus Christi, popularnego w szesnastowiecznej dyskusji polemicznej z reformacją. Początkowo, przez kilka dziesięcioleci uznawano je za dzieło św. Cypriana, biskupa Kartaginy, i pod imieniem tego autora funkcjonowało w polskich dialogach Marcina Kromera. Także wybitni humaniści tego stulecia, jak Paweł Manucjusz, zaliczyli De cardinalibus operibus do prac biskupa z Kartaginy. Dopiero Jakub Pameliusz i Robert Bellarmin poddali w wątpliwość jego autorstwo. Nazwisko autentycznego twórcy 12 mów o najważniejszych wydarzeniach z dziejów Chrystusa ustalili niezależnie od siebie Philippus Labbe i John Owen, którzy dotarli do manuskryptu z biblioteki All Souls College w Oksfordzie, zawierającego w adresie zarówno właściwego adresata dzieła, jak i jego autora. Koleje recepcji De cardinalibus operibus Christi pokazują ciekawe losy książek, odsłaniają warsztat dawnego badacza, a także mogą zainspirować do dalszych studiów w tym zakresie, gdyż wiele jeszcze dawnych tekstów nie ma ustalonych autorów, jak chociażby te z pism, dawniej przypisywanych św. Cyprianowi, a dzisiaj uznanych za nieautentyczne.
The article is a reconstruction of the De cardinalibus operibus Christi’s, a popular in 16th century polemic discussion with reformation, history. In the beginning, it was treated as one of saint Cyprianus’, bishop of Cartagine, works, as Martinus Cromerus states in his polish-latin dialogues. Also the great Renaissance humanists as Paulus Manutius recognized De cardinalibus operibus Christi as saint Cyprianus’ work. Jacobus Pamelius and Robertus Bellarminus were the first who doubted in his authorship. The real author of the 12 speeches on the most important events in the life of Jesus Christ was identified independently by Philippus Labbe and John Owen. They found the manuscript in the All Souls College Library of Oxford, which incipit included the name of the addressee and the author. The history of the reception of De cardinalibus operibus Christi reveals a scholar’s workshop and, what is more, it can bring inspiration to further studies in this area.
The article is a reconstruction of the De cardinalibus operibus Christi’s, a popular in 16th century polemic discussion with reformation, history. In the beginning, it was treated as one of saint Cyprianus’, bishop of Cartagine, works, as Martinus Cromerus states in his polish-latin dialogues. Also the great Renaissance humanists as Paulus Manutius recognized De cardinalibus operibus Christi as saint Cyprianus’ work. Jacobus Pamelius and Robertus Bellarminus were the first who doubted in his authorship. The real author of the 12 speeches on the most important events in the life of Jesus Christ was identified independently by Philippus Labbe and John Owen. They found the manuscript in the All Souls College Library of Oxford, which incipit included the name of the addressee and the author. The history of the reception of De cardinalibus operibus Christi reveals a scholar’s workshop and, what is more, it can bring inspiration to further studies in this area.
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Keywords
Cyprian z Kartaginy, mowa, kazanie, Arnold de Bonaevallis, śledztwo, fałszerstwo, manuskrypt, Cyprian of Cathage, speech, sermon, forgery, manuscript, investigation
Citation
"Vox Patrum", 2021, T. 79, s. 83-98