L’hypopeinture greuzienne et ses palimpsestes narratifs au XVIIIe siècle

dc.contributor.author	Langbour, Nadège
dc.date.accessioned	2022-06-08T12:08:53Z
dc.date.available	2022-06-08T12:08:53Z
dc.date.issued	2015
dc.description.abstract	In the 18th century, the paintings of Greuze had much success. The literature took against these paintings. It transposed them in narrative texts. Diderot and Aubert, described paintings of Greuze by using the literary kind of the moral tale. Thus, they respected the moral spirit of the painting of Greuze. But when paintings of Greuze were transposed in the novels, this moral spirit had been perverted : the novels respected the stating of Greuze, but they used it to produce a different statement.	en
dc.identifier.citation	"Quêtes littéraires" 2015, nº 5, s. 23-32	pl
dc.identifier.doi	10.31743/ql.235
dc.identifier.uri	http://hdl.handle.net/20.500.12153/3117
dc.language.iso	fr	pl
dc.publisher	Katolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Werset	pl
dc.rights	Attribution 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/	*
dc.subject	paintings of Greuze	pl
dc.subject	writings on art of Diderot	pl
dc.subject	moral tale	pl
dc.subject	literary transposition	pl
dc.title	L’hypopeinture greuzienne et ses palimpsestes narratifs au XVIIIe siècle	fr
dc.title.alternative	Hypopicture of Greuze and its narrative palimpsests in the 18th century	en
dc.type	info:eu-repo/semantics/article	pl

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