L’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguère

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dc.contributor.authorPelard, Emmanuelle
dc.date.accessioned2020-06-24T10:42:08Z
dc.date.available2020-06-24T10:42:08Z
dc.date.issued2016
dc.description.abstractThe surrealist Quebec poet, painter and artists’ books editor Roland Giguère has based his entire work on a dialogue between poetry and visual arts (painting, serigraphy, typography) in order to experiment the iconicity of writing. He has composed a graphic poetry made of plastic and iconic signs as well as graphic signs, playing with the semiotic ambiguity to create poetic effects and sense. His polysemiotic experiment of the poem based on a specific use of serigraphy has impacted the readability, but has paradoxically shown a new kind of poeticity and the expressiveness of writing. The aim of this article is to establish how the writing subversion and the semiotic experiment allowed by an original use of serigraphy creates poetry.pl
dc.identifier.citation"Quêtes littéraires" 2016, nº 6, s. 108-117pl
dc.identifier.doihttps://doi.org/10.31743/ql.218
dc.identifier.urihttp://hdl.handle.net/20.500.12153/1242
dc.language.isofrpl
dc.rightsUznanie autorstwa 4.0 Międzynarodowe
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subjectQuebec surrealismpl
dc.subjectRoland Giguèrepl
dc.subjectgraphic poetrypl
dc.subjectpoetic serigraphypl
dc.subjectsemiotic experimentpl
dc.titleL’écriture détournée par la sérigraphie dans les poèmes-estampes de Roland Giguèrepl
dc.title.alternativeWriting subversed by serigraphy in graphic poems of Roland Giguèrepl
dc.typeinfo:eu-repo/semantics/articlepl
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Quêtes littéraires, 2016, No 6: Hybride(s)