Jean-Pierre Camus : la moralisation d’un genre immoral est-elle possible ?

Simple item page
dc.contributor.authorPawłowska, Maja
dc.date.accessioned2022-06-10T13:13:00Z
dc.date.available2022-06-10T13:13:00Z
dc.date.issued2013
dc.description.abstractCamus complements his novels with long peritexts, thus using his ecclesiastic authority to legitimise their moral and didactic value. In these peritexts he juxtapposes the licentious novels with his own devout works of fiction, which are, in his own words, not only valuable and worth recommending, but also capable of saving the readers’ souls, put in danger by other texts. In any case, a close reading of these peritexts reveals a view which challenges the idea of the novel’s insidiousness and which bears witness to Camus’s great fascination with this officially condemned literary genre.pl
dc.identifier.citation"Quêtes littéraires" 2013, nº 3, s. 32-39pl
dc.identifier.doi10.31743/ql.4601
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3159
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectJean-Pierre Camuspl
dc.subjectroman dévot (pious romance)pl
dc.subjectnovelpl
dc.subjectimmoral genrepl
dc.subjectFrench 17th century novelpl
dc.titleJean-Pierre Camus : la moralisation d’un genre immoral est-elle possible ?pl
dc.title.alternativeJean-Pierre Camus: Is It Possible to Render an ‘Immoral Genre’ Moral?pl
dc.typeinfo:eu-repo/semantics/articlepl
Files
Original bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
Pawlowska_Maja_Jean-Pierre_Camus_la_moralisation_d’un_genre_immoral_est-elle_possible.pdf
Size:
93.32 KB
Format:
Adobe Portable Document Format
Description:
Download

License bundle
Now showing 1 - 1 of 1
Thumbnail Image
Name:
license.txt
Size:
2.63 KB
Format:
Item-specific license agreed upon to submission
Description:
Download

Collections
Quêtes littéraires, 2013, No 3: Entre le sacré et le profane