Le vagabondage moderne dans le théâtre de Henri-René Lenormand

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dc.contributor.authorKaczmarek, Tomasz
dc.date.accessioned2022-06-10T13:00:27Z
dc.date.available2022-06-10T13:00:27Z
dc.date.issued2014
dc.description.abstractThe motif of the wanderer is not new in the French theatre, but in the first half of the twentieth century due to the general crisis of values, some authors refer to it in order to display the plight of modern man. One of them is H.-R. Lenormand, an author not very well-known to a wider audience nowadays, who under the influence of Strindberg writes plays which refer to the expressionist aesthetics. He creates a lot of works in which he employs the technique of the station drama.. It is this form that allows him to focus on the evolution of the character and his metamorphosis. While in Les Ratés he shows buffoons heading for the brink of despair and finally their certain death, in L'Homme et ses Fantômes he focuses on the inner journey of the main character, who is looking for the reason for his suffering in his own soul.en
dc.identifier.citation"Quêtes littéraires" 2014, nº 4, s. 76-84pl
dc.identifier.doi10.31743/ql.4574
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3145
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectexpressionismpl
dc.subjectHenri-René Lenormandpl
dc.subjectmodern wanderingpl
dc.subjectAugust Strindbergpl
dc.subjectcrisis of valuespl
dc.subjectstation dramapl
dc.titleLe vagabondage moderne dans le théâtre de Henri-René Lenormandfr
dc.title.alternativeModern wandering in the French theatre in the first half of the 20th centuryen
dc.typeinfo:eu-repo/semantics/articlepl
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Quêtes littéraires, 2014, No 4: Sur les traces du vagabond