Narcisse et la photographie. De l’objectivation à l’objectivité

dc.contributor.author	Dziub, Nikol
dc.date.accessioned	2022-06-08T12:10:50Z
dc.date.available	2022-06-08T12:10:50Z
dc.date.issued	2015
dc.description.abstract	Baudelaire blamed the bourgeois society and its photographic narcissism, which leads to a perversion of the mythical posture and to a loss of consciousness of the ontological dissimilarity between reality and its image. That is why literature has to develop the imagination of the photographic image, which is both useful and magical, both referential and wondrous. Writers of the romantic era may disdain or admire photography, but they all experience the photographic objectivity and thus develop an antidote to the vain objectification of the collective Narcissus.	en
dc.identifier.citation	"Quêtes littéraires" 2015, nº 5, s. 45-54	pl
dc.identifier.doi	10.31743/ql.237
dc.identifier.uri	http://hdl.handle.net/20.500.12153/3119
dc.language.iso	fr	pl
dc.publisher	Katolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Werset	pl
dc.rights	Attribution 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/	*
dc.subject	photography	pl
dc.subject	literature	pl
dc.subject	Narcissus	pl
dc.subject	image	pl
dc.subject	imagination	pl
dc.title	Narcisse et la photographie. De l’objectivation à l’objectivité	fr
dc.title.alternative	Narcissus and Photography. From Objectification to Objectivity	en
dc.type	info:eu-repo/semantics/article	pl