Novecento, celui qui n’existait pas

Miazga, Krystyna

Novecento, celui qui n’existait pas

dc.contributor.author	Miazga, Krystyna
dc.date.accessioned	2022-06-13T12:55:36Z
dc.date.available	2022-06-13T12:55:36Z
dc.date.issued	2012
dc.description.abstract	The division of the article into three parts represents the three phenomena of absence present in Novecento, a work of Alessandro Baricco. First, the author discusses the peculiar existence of a main character, which, on the internal level of the story told in the book, is full of absence. On the external level, the author focuses on the manner of narration and stage performance (didascalia). His second scope of interest is the lack of author’s unanimous statement concerning the text genre, as well as the interspersion of important elements of drama, theatre and both, pure narrative and music forms. This, recently quite popular phenomenon, has been called hybridity. It allows the juxtaposing of contrasts, joining of contradictions and departures from the accepted specific rules in favour of artistic generic disarray. Moreover, this part of the paper stresses the difference between the original title and its French translation. The extra information added in the French version highlights the lack of precision in the original title. This significantly influences the readers’ choice. The third phenomenon discussed in the article is music. It has its special place among Baricco’s works. In Novecento, music is the second, after the pianist, protagonist. It can be even treated as equally important. However, the lack of a musical code (a proper way of communication) reduces the domination of music. By using a linguistic sign, the author gave music an important function – being the catalyst and medium between what exists but cannot be seen and what can be felt but cannot be expressed in words. Absence, perceived by human senses and the inadequacy of verbal expression, is elicited through music and, paradoxically, it becomes present.	en
dc.identifier.citation	"Quêtes littéraires" 2012, nº 2, s. 124-133	pl
dc.identifier.doi	10.31743/ql.4633
dc.identifier.uri	http://hdl.handle.net/20.500.12153/3198
dc.language.iso	fr	pl
dc.publisher	Katolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Werset	pl
dc.rights	Attribution 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/	*
dc.subject	absence – presence	pl
dc.subject	music	pl
dc.subject	hybrydity	pl
dc.subject	contradictions	pl
dc.title	Novecento, celui qui n’existait pas	fr
dc.title.alternative	Novecento, a man, who has never existed	en
dc.type	info:eu-repo/semantics/article	pl