Écrire l’image dans l’espace – transgression des formes poétiques au début du XXème siècle

dc.contributor.authorKukuryk, Agnieszka
dc.date.accessioned2022-06-08T12:21:52Z
dc.date.available2022-06-08T12:21:52Z
dc.date.issued2015
dc.description.abstractThe aim of this article is to present the connections between literature and art, as well as a graphic and artistic sing. The main subject of the study is the problem of typography, pictography, calligraphy and the visualisation as a sign created from the merging of a verbal code and a drawing representation. The dialogue of two sisters, due to which poetry has become a verbal painting /pictura loquens/, exhibits the variety of artistic creations based on the selected French literature of the early 20th century. The new tendencies which provoked the writers and painters, they could define the plasticity of words and pictures, as well as discover similarities of these two layers. The study attempts to discuss the co-existence and co-implication of the verbal codes and pictorial codes.en
dc.identifier.citation"Quêtes littéraires" 2015, nº 5, s. 99-108pl
dc.identifier.doi10.31743/ql.242
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3124
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsAttribution 4.0 International*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectFrench modernismpl
dc.subjectgraphic signspl
dc.subjectideogrampl
dc.subjectbilingual masterworkpl
dc.subjectvisual poetrypl
dc.titleÉcrire l’image dans l’espace – transgression des formes poétiques au début du XXème sièclefr
dc.title.alternativeWrite the image in space – transgression of poetic forms in the early twentieth centuryen
dc.typeinfo:eu-repo/semantics/articlepl
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