Le Navire Night : le mélange des genres et des arts

Ledwina, Anna

Le Navire Night : le mélange des genres et des arts

dc.contributor.author	Ledwina, Anna
dc.date.accessioned	2020-06-23T10:21:11Z
dc.date.available	2020-06-23T10:21:11Z
dc.date.issued	2016
dc.description.abstract	The works of Marguerite Duras show visible hybridity, broadly understood as a mixture of genres, correspondence of the arts, or intertextuality. Her texts reflect, par excellence, this tendency because they keep departing from classical forms. Consequently, the same text can be interpreted as a novel, screenplay, or film. This transgression seemingly results from the versatility of changing artistic interests of Duras, who, while writing, was fascinated by film-making and all possibilities of experimentation. The transgression is confirmed by a kind of polyphony of voices in her works, which makes them both extremely suggestive and open. A prime example of this technique is Le Navire Night. According to the concept of poetical-novelistic or cinematic writing, it can be seen as a ‘hybrid’ work. Therefore, Le Navire Night is sometimes read as a poem as understood by Henri Meschonnic, referring to the creativity of the author, especially in the field of language	pl
dc.identifier.citation	"Quêtes littéraires" 2016, nº 6, s. 91-99	pl
dc.identifier.doi	https://doi.org/10.31743/ql.216
dc.identifier.uri	http://hdl.handle.net/20.500.12153/1239
dc.language.iso	fr	pl
dc.rights	Uznanie autorstwa 4.0 Międzynarodowe
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subject	Duras	pl
dc.subject	hybrydity	pl
dc.subject	mixture	pl
dc.subject	inventiveness	pl
dc.subject	transgression	pl
dc.title	Le Navire Night : le mélange des genres et des arts	pl
dc.title.alternative	Le Navire Night : a mixture of genres and arts	pl
dc.type	info:eu-repo/semantics/article	pl