La poésie silencieuse d’Henri Michaux à René Magritte ou quand le poème se substitue en tableau

dc.contributor.authorBouraoui Mabrouk, Injazette
dc.date.accessioned2022-06-08T12:24:01Z
dc.date.available2022-06-08T12:24:01Z
dc.date.issued2015
dc.description.abstractHenri Michaux, Paul Klee and René Magritte enroll in a interdisciplinary perspective where painting looks as poem and vice versa. Correspondence between writing and painting defies taxonomy of the pictorial and scriptural in order to establish a new trans-esthetic approach. Painting interpretations show that poetry writing and pictorial articulate two tactics for the same strategy: auscultate the problem of being.pl
dc.identifier.citation"Quêtes littéraires" 2015, nº 5, s. 129-137pl
dc.identifier.doi10.31743/ql.255
dc.identifier.urihttp://hdl.handle.net/20.500.12153/3127
dc.language.isofrpl
dc.publisherKatolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Wersetpl
dc.rightsUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/*
dc.subjectMichauxpl
dc.subjectKleepl
dc.subjectMagrittepl
dc.subjectinterdisciplinary perspectivepl
dc.subjectwritingpl
dc.subjectpaintingpl
dc.subjecttaxonomypl
dc.titleLa poésie silencieuse d’Henri Michaux à René Magritte ou quand le poème se substitue en tableaupl
dc.title.alternativeThe silent poetry from Henri Michaux to René Magritte or when the poem is substituted by paintingpl
dc.typeinfo:eu-repo/semantics/articlepl
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