Mallarmé et la poétique de l’hybridité

dc.contributor.author	Sécardin, Olivier
dc.date.accessioned	2020-04-08T08:43:04Z
dc.date.available	2020-04-08T08:43:04Z
dc.date.issued	2016
dc.description.abstract	The hybridity that is seen everywhere in symbolist poetry is not so much evidence of a temporary trend of the era following the interest in the crossing of species in nature as much as it is an attempt to confront the very nature of “art” itself. The time of the “quarrel of monsters” has passed, and the hybrids of contemporary poetry – competing for a place in the mythological scene that is symbolism – roam guiltless. And yet, beyond literary conventions, this mythological bestiary is anything but innocent and outdated; in fact, it embodies a genuine mythopoetic repertoire. For Mallarmé in particular, this hybrid bestiary reflects the illusive “Chimera” of poetry.	pl
dc.identifier.citation	"Quêtes littéraires" 2016, nº 6, s. 35-45.	pl
dc.identifier.doi	https://doi.org/10.31743/ql.209
dc.identifier.issn	2084-8099
dc.identifier.uri	http://hdl.handle.net/20.500.12153/955
dc.language.iso	fr	pl
dc.rights	Uznanie autorstwa 4.0 Międzynarodowe
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subject	Mallarmé	pl
dc.subject	hybridity	pl
dc.subject	modernity	pl
dc.subject	symbolist poetry	pl
dc.subject	mythological bestiary	pl
dc.title	Mallarmé et la poétique de l’hybridité	pl
dc.title.alternative	Mallarmé and poetics of hybridity	pl
dc.type	info:eu-repo/semantics/article	pl