Hybridité et voix auctoriale

dc.contributor.author	Motard-Noar, Martine
dc.date.accessioned	2020-06-25T10:10:42Z
dc.date.available	2020-06-25T10:10:42Z
dc.date.issued	2016
dc.description.abstract	This article analyzes three hybrid narratives – Sylvie Gracia’s Le livre des visages (2012), Pascal Quignard’s Les ombres errantes (2002), and Hélène Cixous’s Hyperrêve (2006). Although their hybridity can be found at different levels, such as the generic level, or the lexical level, all three texts attempt to catch the Mother in their narrative subterfuges in order to bring her back to life (or in the case of Cixous, to keep her alive), in vain. In the process, the authorial voice is reinforced as the voice leading the reader through narrative transgressions.	pl
dc.identifier.citation	"Quêtes littéraires" 2016, nº 6, s. 168-176	pl
dc.identifier.doi	https://doi.org/10.31743/ql.227
dc.identifier.uri	http://hdl.handle.net/20.500.12153/1249
dc.language.iso	fr	pl
dc.rights	Uznanie autorstwa 4.0 Międzynarodowe
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subject	hybrid text	pl
dc.subject	authorial voice	pl
dc.subject	the Mother	pl
dc.subject	death	pl
dc.subject	disnarration	pl
dc.title	Hybridité et voix auctoriale	pl
dc.title.alternative	Hybridity and authorial voice	pl
dc.type	info:eu-repo/semantics/article	pl