Le vide dans le théâtre camusien

Jakubczuk, Renata

Le vide dans le théâtre camusien

dc.contributor.author	Jakubczuk, Renata
dc.date.accessioned	2022-06-13T13:00:54Z
dc.date.available	2022-06-13T13:00:54Z
dc.date.issued	2012
dc.description.abstract	This article is an analysis of two plays by a great French literature writer, Albert Camus: Caligula (1945) and Le Malentendu (The Misunderstanding, sometimes published as Cross Purpose, 1944). After a careful presentation of the plots of the play, we are proposing a definition of the following terms: the absence and the void. Afterwards, we examine the nature of the absences presented, and we offer a classification of such absences. We establish four categories of the void: philosophical, spiritual, physical, and the absence of the closest kin. A re-reading of the dramaturgical texts serves to appreciate the manner in which these texts are presented to the reader/spectator and to prove that the Camusian void is in a strict relation with an existential pain associated with the absence of God in people’s life.	pl
dc.identifier.citation	"Quêtes littéraires" 2012, nº 2, s. 54-65	pl
dc.identifier.doi	10.31743/ql.4627
dc.identifier.uri	http://hdl.handle.net/20.500.12153/3204
dc.language.iso	fr	pl
dc.publisher	Katolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Werset	pl
dc.rights	Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/pl/	*
dc.subject	Camus	pl
dc.subject	Caligula	pl
dc.subject	Le Malentendu	pl
dc.subject	emptiness	pl
dc.subject	God	pl
dc.title	Le vide dans le théâtre camusien	pl
dc.title.alternative	The void in Camus Theater	pl
dc.type	info:eu-repo/semantics/article	pl