L’Homme-toupie. Le vagabond comme figure de la subversion dans Le Ventre de Paris d’Émile Zola

Rachwalska von Rejchwald, Jolanta

L’Homme-toupie. Le vagabond comme figure de la subversion dans Le Ventre de Paris d’Émile Zola

dc.contributor.author	Rachwalska von Rejchwald, Jolanta
dc.date.accessioned	2022-06-10T12:55:34Z
dc.date.available	2022-06-10T12:55:34Z
dc.date.issued	2014
dc.description.abstract	A vagrant, Florent Quenu, serves as a methaphor of the social-political shift that strikes France in the late XIX-th century. Intimidated by the magnitude of change, upon his return Florent wanders the streets, meanders and strolls in circles which casts a horrendous contradiction with the austerity of Hausmann’s new Paris, aligned with omnipresent straight line forms. This geometrical collision of a straight line and a curve is symptomatic of ferocious conflict between the Second Empire and the alternative social model embodied in the Florent’s attitude.	pl
dc.identifier.citation	"Quêtes littéraires" 2014, nº 4, s. 28-37	pl
dc.identifier.doi	10.31743/ql.4569
dc.identifier.uri	http://hdl.handle.net/20.500.12153/3140
dc.language.iso	fr	pl
dc.publisher	Katolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Werset	pl
dc.rights	Uznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polska	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/pl/	*
dc.subject	Zola	pl
dc.subject	vagabond	pl
dc.subject	vagrant	pl
dc.subject	Second Empire	pl
dc.subject	Les Rougon-Macquart	pl
dc.subject	Le Ventre de Paris	pl
dc.subject	bourgeois	pl
dc.title	L’Homme-toupie. Le vagabond comme figure de la subversion dans Le Ventre de Paris d’Émile Zola	pl
dc.title.alternative	Spinning-top man. Vagabond as a personification of social order’s subversion in Le Ventre de Paris by Émile Zola	pl
dc.type	info:eu-repo/semantics/article	pl