La musique sacralisée dans les œuvres de quelques écrivains romantiques

dc.contributor.author	Opiela, Anna
dc.date.accessioned	2022-06-10T13:16:06Z
dc.date.available	2022-06-10T13:16:06Z
dc.date.issued	2013
dc.description.abstract	This article analyses poetic visions, based on synesthesia and referring to Swedenborg’s correspondence theory, evoked by listening to music. In these visions the musical impressions are in some way sanctified, and they contribute to the development of the spiritual area. This aesthetic phenomenon is noticeable in Balzac’s novels. The music for him is the light penetrating the listener’s soul and a means of accessing divine mysteries. Similarly, in George Sand’s works music is the inspiration to create soulful poetic visions and the character of Consuelo who, by her singing, is vouchsafed by divine revelations.	en
dc.identifier.citation	"Quêtes littéraires" 2013, nº 3, s. 66-75	pl
dc.identifier.doi	10.31743/ql.4606
dc.identifier.uri	http://hdl.handle.net/20.500.12153/3163
dc.language.iso	fr	pl
dc.publisher	Katolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Werset	pl
dc.rights	Attribution 4.0 International	*
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/	*
dc.subject	music	pl
dc.subject	sacralization	pl
dc.subject	light	pl
dc.subject	spirituality	pl
dc.subject	Balzac	pl
dc.title	La musique sacralisée dans les œuvres de quelques écrivains romantiques	fr
dc.title.alternative	Sacralized Music in Works of Some Romantic Writers	en
dc.type	info:eu-repo/semantics/article	pl

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