Un silence éloquent : narration et fantastique dans Fragoletta (1829) de Latouche et La Vénus d’Ille (1837) et Lokis (1869) de Mérimée

dc.contributor.author	Jeleva, Alexandra
dc.date.accessioned	2020-02-14T09:19:51Z
dc.date.available	2020-02-14T09:19:51Z
dc.date.issued	2017
dc.description.abstract	The paper analyses three works employing a similar narrative strategy which triggers tension between the explicable and inexplicable and an interpretative crisis that allows a fantastic reading of the fictional text. This strategy is related to the paradoxical status of the narrator, due to which the reader is faced with an incomplete elliptic account because of the former’s reluctance (or impossibility) to offer a definite interpretation of the events.	pl
dc.identifier.citation	"Quêtes littéraires" 2017, nº 7, s. 43-50	pl
dc.identifier.doi	https://doi.org/10.31743/ql.154
dc.identifier.issn	2084-8099
dc.identifier.uri	http://hdl.handle.net/20.500.12153/820
dc.language.iso	fr	pl
dc.rights	Uznanie autorstwa 4.0 Międzynarodowe
dc.rights.uri	https://creativecommons.org/licenses/by/4.0/legalcode.pl
dc.subject	narrative strategy	pl
dc.subject	interpretative crisis	pl
dc.subject	fantastic reading	pl
dc.subject	clue	pl
dc.subject	paralipse	pl
dc.title	Un silence éloquent : narration et fantastique dans Fragoletta (1829) de Latouche et La Vénus d’Ille (1837) et Lokis (1869) de Mérimée	pl
dc.title.alternative	An eloquent silence: the narration and the fantastic in Latouche's Fragoletta, Mérimée's La Vénus d’Ille and Lokis	pl
dc.type	info:eu-repo/semantics/article	pl

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