Browsing by Author "Kaczmarek, Tomasz"

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    Cris des coeurs de Jean-Victor Pellerin, exemple d’une pièce hybride
    (2016) Kaczmarek, Tomasz
    Cris des coeurs by Jean-Victor Pellerin consists of the three parts, each of them corresponds to a different genre: melodrama, tragedy and misterium. Rejecting the reality, the writer resignes also from the scene’s materiality what leads him as a consequence to the deconstruction of the space-time’s categories. Traditional drama’s division on act and scenes is replaced by the loose images (tableaux) where the dreamy visions mingle with reality. Puting the pressure on oniric dimension of a play, the playwright prepares the area for a break of characters who moving in a hostile and an unspecified world without the laws of physics, get going in quest for the lost identity. Breaking the unity of action and psychological consistency of a character, Pellerin presents the crisis of a temporary human being, moreover by using heterogenic forms, he shows this crisis in ist best.
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    Intimité de Jean-Victor Pellerin, ou à la recherche du « théâtre du silence »
    (2017) Kaczmarek, Tomasz
    Jean-Victor Pellerin was a representative author of the „school of silence” or, as some called it, „art of unexpressed”, in which emotions are implied in gestures, fragments of speach, and silence. In his first drama Intimacy (1922) the French playwrighter presents a bourgeois marriage living a monotonous life. The characters discuss trivial things of everyday life, they talk to each other, but there is no communication between them, because each of them is closed in their own world. Nobody is listening one another and words are spoken only in order to fill their existential emptiness. The writer is focused on the dialogue between the characters in the context of what they hide and what they do not want to tell themselves. People who appear to them are not flesh and blood human beings but they are the reflection of their own disturbed personality only. In this manner the writer focuses on the inner life of his solitary, their nostalgia for youth or even their hidden sexual motives. This is why the silence grows into the main element of the drama. Intimacy is one of the finest examples of „intimist aesthectic” developed by the avant-garde theater creator Gaston Baty who rejected the predominance of the word for discovering the mysterious world of the spiritual man.
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    Kalendarium życia i działalności ks. Tomasza Kaczmarka
    (Wydawnictwo KUL, 2020) Kaczmarek, Tomasz
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    Le vagabondage moderne dans le théâtre de Henri-René Lenormand
    (Katolicki Uniwersytet Lubelski Jana Pawła II, Wydawnictwo Werset, 2014) Kaczmarek, Tomasz
    The motif of the wanderer is not new in the French theatre, but in the first half of the twentieth century due to the general crisis of values, some authors refer to it in order to display the plight of modern man. One of them is H.-R. Lenormand, an author not very well-known to a wider audience nowadays, who under the influence of Strindberg writes plays which refer to the expressionist aesthetics. He creates a lot of works in which he employs the technique of the station drama.. It is this form that allows him to focus on the evolution of the character and his metamorphosis. While in Les Ratés he shows buffoons heading for the brink of despair and finally their certain death, in L'Homme et ses Fantômes he focuses on the inner journey of the main character, who is looking for the reason for his suffering in his own soul.
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    W miejsce biografii
    (Wydawnictwo KUL, 2020) Kaczmarek, Tomasz
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    Wykaz publikacji ks. dr. hab. Tomasza Kaczmarka
    (Wydawnictwo KUL, 2020) Kaczmarek, Tomasz