Kaczmarek, Tomasz2020-04-142020-04-142016"Quêtes littéraires" 2016, nº 6, s. 65-73.2084-8099http://hdl.handle.net/20.500.12153/964Cris des coeurs by Jean-Victor Pellerin consists of the three parts, each of them corresponds to a different genre: melodrama, tragedy and misterium. Rejecting the reality, the writer resignes also from the scene’s materiality what leads him as a consequence to the deconstruction of the space-time’s categories. Traditional drama’s division on act and scenes is replaced by the loose images (tableaux) where the dreamy visions mingle with reality. Puting the pressure on oniric dimension of a play, the playwright prepares the area for a break of characters who moving in a hostile and an unspecified world without the laws of physics, get going in quest for the lost identity. Breaking the unity of action and psychological consistency of a character, Pellerin presents the crisis of a temporary human being, moreover by using heterogenic forms, he shows this crisis in ist best.frUznanie autorstwa 4.0 Międzynarodowehttps://creativecommons.org/licenses/by/4.0/legalcode.plJean-Victor Pellerinhybridtableauexpressionismcharacterinfo:eu-repo/semantics/articlehttps://doi.org/10.31743/ql.213