„Lélio” de Hector Berlioz et „Le contrebandier” de George Sand, ou une solitude d’un artiste (héros) romantique portant le masque du bandit

Gamrat, Małgorzata2023-02-062023-02-062019La solitude dans la littérature française et francophone, red. K. Modrzejewska, Opole 2019, s. 73-86978-83-7395-871-5http://literaport.wfil.uni.opole.pl/wp-content/uploads/Literaport-6.pdfhttp://hdl.handle.net/20.500.12153/4240The notions of solitude and a bandit were very popular as a literary theme during Romanticism. Those two literary topoi were connected with the image of a romantic hero, and successively a romantic artist. This paper analyzes two very different works: a monodrama Lélio by Hector Berlioz and the short story Le contrebandier by George Sand, where a bandit is presented as a representation of a romantic artist.frUznanie autorstwa-Użycie niekomercyjne-Bez utworów zależnych 3.0 Polskahttp://creativecommons.org/licenses/by-nc-nd/3.0/pl/solituderomantic artistromantic heroromantic banditGeorge SandHector BerliozLélioLe contrebandier„Lélio” de Hector Berlioz et „Le contrebandier” de George Sand, ou une solitude d’un artiste (héros) romantique portant le masque du banditinfo:eu-repo/semantics/article2392-0637