Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.12153/956
Title: Le parlé-chanté dans Phèdre de Jean Racine et Partage de midi de Paul Claudel
Other Titles: The « parlé-chanté » in Phèdre to Jean Racine and Noon’s Sharing to Paul Claudel
Authors: Deregnoncourt, Marine
Keywords: the « parlé-chanté »; the operatic voice; Phèdre; Noon’s Sharing
Issue Date: 2016
Citation: "Quêtes littéraires" 2016, nº 6, s. 46-55.
Abstract: In this article we will seek to answer how, in Phèdre to Jean Racine and Noon’s Sharing to Paul Claudel, the « parlé-chanté » is particularly significant. To do so, this article will be divided in three parts. In the first part, the « parlé-chanté » will be defined and linked to Arnold Schoenberg’s Sprechgesang. While the second part will issue on Phèdre by Jean Racine, the third and final part will focalize on Paul Claudel's Noon’s Sharing. By focusing on the two aforesaid plays we will try to prove that the operatic voice is always present in the acting choices and that the two playwrights accustomed the dramatic rules of their time.
URI: http://hdl.handle.net/20.500.12153/956
DOI: https://doi.org/10.31743/ql.210
ISSN: 2084-8099
Appears in Collections:Quêtes littéraires, 2016, No 6: Hybride(s)

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