Hybridité et voix auctoriale
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Date
2016
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Abstract
This article analyzes three hybrid narratives – Sylvie Gracia’s Le livre des visages (2012), Pascal Quignard’s Les ombres errantes (2002), and Hélène Cixous’s Hyperrêve (2006). Although their hybridity can be found at different levels, such as the generic level, or the lexical level, all three texts attempt to catch the Mother in their narrative subterfuges in order to bring her back to life (or in the case of Cixous, to keep her alive), in vain. In the process, the authorial voice is reinforced as the voice leading the reader through narrative transgressions.
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Keywords
hybrid text, authorial voice, the Mother, death, disnarration
Citation
"Quêtes littéraires" 2016, nº 6, s. 168-176